Love Aaj Kal - A misunderstood package that doesn't deliver its full potential


Love Aaj Kal - Relevant ideas, Sub-par acting and lazy writing


Imtiaz Ali is often regarded as being a filmmaker who makes deep, layered films that delve into the fascinating emotion of love. He addresses insecurities, problems and the feeling as a whole. Many have therefore regarded him as an intellectual filmmaker who makes classy rather than massy films. In Love Aaj Kal, Imtiaz Ali once again makes some very relevant, realistic points, however, he is unable to make the package as a whole an attractive one. 

The storytelling idea of this film, is similar to the one Imtiaz used in his 2009 film by the same name. He aims to use two parallel love stories, separated by around 30 years, to show that the essence of love doesn’t change even though the surroundings and the people might. In this film Imtiaz uses his main female character, Zoe, played by Sara Ali Khan, to portray what he believes are the confusions of today’s Gen Z girls. He portrays her as a character that is determined on the outside but fragile on the inside, a girl who is confused between her love life and her work life. Some of the points Imtiaz makes are extremely pertinent, for example, the impact that a mother’s life and experiences have on her daughter and the way she wants her daughter to grow up to be. Another interesting point is the idea that girls today are brought up to think that they have to be so career minded that there is no place for love, making it seem as if it is an either/or situation, a trade-off that doesn’t exist in the minds of men, who understand that both aspects can coexist.

However, there are also some significant flaws with the writing and plot of the film. Firstly, the way that Kartik Aaryan’s modern day character, Veer, is written, makes it seem as though Zoe is confused about non-existent problems. He seems to be so madly in love with Zoe that he is ready to do whatever she says, and it makes you wonder why she is so confused. Secondly, Imtiaz Ali doesn’t manage to hit the perfect note in the writing of Zoe and thus fails to put across the message exactly as he wants.

The performances of the actors are also a mixed bag. Sara Ali Khan leaves a lot to be desired in her portrayal of Zoe. Her emotions are extremely surface level, and it makes it seem as though she is trying to show rather than internally feel. Kartik Aaryan fairs significantly better with the material he has to work with. In what is arguably his first part that is out of his comfort zone, he brings a range of emotions, both in his portrayal of Raghu and Veer. He has a sense of vulnerability as Veer, while playing Raghu as a free-spirited boy in love. It is refreshing to see him in a role that isn’t linked to comedy. However, arguably the best performance of the film is by Randeep Hooda (present day Raghu), who plays the guiding hand in the film (similar to Rishi Kapoor from the original). He is the one who narrates his story to Zoe and changes her views on the topic of love. He brings a flair to his character as he aims to elevate this middling story. Unfortunately for him he cannot do all the heavy-lifting on his own.

The music is one of the high points of the film. While there are some remakes of songs from the original, there are also some new songs, like Shayad and Mehrama, that portray the emotion of the scene perfectly and even manage to portray to the audience some of the emotions that the actors can’t.

In conclusion, I feel that Love Aaj Kal is a movie that had a lot of potential. Some of the points that it makes are extremely relevant to today’s society. Unfortunately, it does not manage to live up to its potential and makes you wonder what if there were slightly better performances and a more fleshed out story.  However, I do feel that a lot of the criticism that is being levied against the film is unjustified. It makes you think about love and the way it is perceived in the generation of today and the ease with which people get intimate. I do feel that it is the kind of movie that may not get its due in the present day, and it may take a couple of years and a couple of watches, for it to grow on people, a bit like Imtiaz’s Tamasha.


- Ahaan Gupta 

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